Gates, Henry Louis, Jr.

The Norton Anthology of African American Literature (Revised) Gates, Henry Louis, Jr.

Marc Notes: Includes bibliographical references and index. Publisher Marketing: The much-anticipated Third Edition brings together the work of 140 writers from 1746 to the present writing in all genres, as well as performers of vernacular forms from spirituals and sermons to jazz and hip hop. Fresh scholarship, new visuals and media, and new selections with an emphasis on contemporary writers combine to make The Norton Anthology of African American Literature an even better teaching tool for instructors and an unmatched value for students." Contributor Bio:  Gates, Henry Louis, Jr. Henry Louis Gates, Jr. (Ph. D. Cambridge), is Alphonse Fletcher University Professor and Director of the W. E. B. Du Bois Institute for African and American Research, Harvard University. He is the author of Life Upon These Shores: Looking at African American History, 1513 2008; Black in Latin America; Tradition and the Black Atlantic: Critical Theory in the African Diaspora; Faces of America; Figures in Black: Words, Signs, and the Racial Self; The Signifying Monkey: A Theory of Afro-American Criticism; Loose Canons: Notes on the Culture Wars; Colored People: A Memoir; The Future of Race with Cornel West; Wonders of the African World; Thirteen Ways of Looking at a Black Man; and The Trials of Phillis Wheatley. His is also the writer, producer, and narrator of PBS documentaries Finding Your Roots; Black in Latin America; Faces of America; African American Lives 1 and 2; Looking for Lincoln; America Beyond the Color Line; and Wonders of the African World. He is the editor of African American National Biography with Evelyn Brooks Higginbotham, and The Dictionary of African Biography with Anthony Appiah; Encyclopedia Africana with Anthony Appiah; and The Bondwoman s Narrative by Hannah Crafts, as well as editor-in-chief of TheRoot.com. Contributor Bio:  Smith, Valerie Valerie Smith (Ph. D. University of Virginia), General Editor. Dean of the College, Woodrow Wilson Professor of Literature, professor of English and African American Studies, and founding director of the Center for African American Studies, Princeton University. Author of Self-Discovery and Authority in Afro-American Narrative; Not Just Race, Not Just Gender: Black Feminist Readings; and Toni Morrison: Writing the Moral Imagination. Editor of several works, including Representing Blackness: Issues in Film and Video; African-American Writers; and New Essays on Song of Solomon. Contributor Bio:  Andrews, William L General editor William L. Andrews is E. Maynard Adams Professor of English at the University of North Carolina at Chapel Hill. He is author or editor of more than thirty books, including "The Literary Career of Charles W. Chesnutt" and "To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865". Coeditors David A. Davis, Tampathia Evans, Ian Frederick Finseth, and Andrea N. Williams have earned graduate degrees in English from the University of North Carolina at Chapel Hill. Contributor Bio:  Benston, Kimberly Kimberly Benston (Ph. D. Yale University), Editor, The Black Arts Era. Francis B. Gummere Professor of English, former provost and director of the Hurford Center for Arts and Humanities, Haverford College. Author of Performing Blackness: Enacting African-American Modernism and Baraka: The Renegade and the Mask. Editor of several works, including Speaking for You: Ralph Ellison s Cultural Vision; Larry Neal: A Callaloo Anthology; Baraka: A Collection of Essays; and the forthcoming books Malcolm X: A Critical Casebook; Who Blew Up America?: African-American Culture and the Crisis of Terrorism; and the Norton Critical Edition of H. G. Wells s The Island of Doctor Moreau. Contributor Bio:  Edwards, Brent Hayes Brent Hayes Edwards (Ph. D. Columbia University), Editor, The Harlem Renaissance. Professor of English and Comparative Literature, Columbia University. Author of The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism, awarded the John Hope Franklin Prize of the American Studies Association, the Gilbert Chinard Prize of the Society for French Historical Studies, and runner-up for the James Russell Lowell Prize of the Modern Language Association; and the forthcoming Epistrophies: Jazz and the Literary Imagination. Co-editor of Uptown Conversation: The New Jazz Studies and the journal Social Text. Contributor Bio:  Foster, Frances Smith Frances Smith Foster (Ph. D. University of California, San Diego), Editor, The Literature of the Reconstruction to the New Negro Renaissance; Co-Editor, The Literature of Slavery and Freedom. Charles Howard Candler Professor of English and Women s Studies, Emory University. Author of Til Death or Distance Do Us Part: Love and Marriage in African America; Written by Herself: Literary Production by African American Women, 1746 1892; and Witnessing Slavery: The Development of the Antebellum Slave Narrative. Co-editor of the Oxford Companion to African American Literature and Harriet Jacobs s Incidents in the Life of a Slave Girl. Editor of several works, including Love and Marriage in Early African America; Minnie s Sacrifice, Sowing and Reaping, Trial and Triumph: Three Rediscovered Novels by Frances Ellen Watkins Harper; Elizabeth Keckley s Behind the Scenes; and the Norton Critical Edition of Jacobs s Incidents in the Life of a Slave Girl. Contributor Bio:  McDowell, Deborah E Deborah E. McDowell (Ph. D. Purdue), Co-Editor, Realism, Naturalism, Modernism. Alice Griffin Professor of English, University of Virginia. Founding editor of the Beacon Black Women Writers series; co-editor with Arnold Rampersad of Slavery of the Literary Imagination; author of "The Changing Same: Studies in Fiction by Black Women; Leaving the Pipe Shop: Memories of Kin; editor of Nella Larsen's Quicksand and Passing, Jessie Redmon Fauset's Plum Bun, Pauline Hopkins s Of One Blood, and numerous articles and essays. Contributor Bio:  O'Meally, Robert G Robert G. O'Meally (Ph. D. Harvard), Editor, The Vernacular Tradition. Zora Neale Hurston Professor of English and Comparative Literature and founder of the Center for Jazz Studies, Columbia University. Author of The Jazz Singers; The Craft of Ralph Ellison; Lady Day: The Many Faces of Billie Holiday; and Romare Bearden; A Black Odyssey. Editor of the essay collections History and Memory in African American Culture; New Essays on Invisible Man: Tales of the Congaree; The Jazz Cadence of American Culture; co-editor of History and Memory in African American Culture and Uptown Conversation: The New Jazz Studies. Contributor Bio:  Spillers, Hortense Hortense Spillers (Ph. D. Brandeis), Co-Editor, Realism, Naturalism, Modernism, Gertrude Conaway Vanderbilt Professor of English, Vanderbilt University. Author of the essay collection Black, White, and in Color. Editor of the collection Comparative American Identities: Race, Sex, and Nationality in the Modern Text; co-editor with Marjorie Pryse of Conjuring: Black Women, Fiction and the Literary Tradition, and an editor of The Heath Anthology of American Literature. Director of Issues in Critical Investigation (ICI), an initiative to stimulate new scholarship in African diasporic studies, which she founded in 2007; founding editor of The A-Line Journal, A Journal of Progressive Commentary, which she launched in 2013. Recent work has appeared in Callaloo and boundary 2. Contributor Bio:  Wall, Cheryl A Cheryl A. Wall is professor of English at Rutgers University and author of "Women of the Harlem Renaissance". She has edited five books, including "Changing Our Words: Essays on Criticism, Theory, and Writing by Black Women" and, most recently, a critical casebook on Zora Neale Hurston's "Their Eyes Were Watching God".