See Notes Multiple Contributors

A Statement of the Differences Subsisting Between the Proprietors and Performers of the Theatre-royal, Covent-garden. Given in the Correspondence Which Has Passed Between Them. See Notes Multiple Contributors

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
Library of Congress

N025217

Sometimes attributed to J. G. Holman. With a half-title and a separately paginated Supplement. This edition includes press figures: 10-8, 29-5, 31-9, 34-6, 48-9, 64-8.

London : printed by J. Davis, for W. Miller, 1800. vii,[1],69,[1];3,[1]p. ; 8°