William Vaughan

A Comparative Statement of the Advantages and Disadvantages of the Docks in Wapping and the Docks in the Isle of Dogs, with General Remarks on the Advan William Vaughan

Publisher Marketing: The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++University of London's Goldsmiths' LibraryN027259Anonymous. By William Vaughan. London: printed by H. L. Galabin. May 30, 1799. 43, [1]p.; 8 Contributor Bio:  Vaughan, William William Vaughan is Professor of the History of Art at Birkbeck College, London. After studying at the Ruskin School of Art in Oxford and the Courtauld Institute, London, he became an Assistant Keeper at the Tate Gallery, London. In 1972 he was appointed as lecturer at University College, London, until he took up the professorship at Birkbeck. He is the author of numerous articles and books on eighteenth- and nineteenth-century painting, including Romanticism and Art (2nd edition, 1994). In 1998 he was chosen to deliver the Paul Mellon Lectures at the National Gallery, London, on the subject of British Painting. Professor Vaughan is married with two children.