Edward Long

The Sentimental Exhibition; Or, Portraits and Sketches of the Times. Edward Long

Publisher Marketing: The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard University Houghton LibraryN021867Anonymous. By Edward Long. With a final advertisement leaf.London: printed for T. Lowndes, 1774. iv,133, [3]p.; 8 Contributor Bio:  Long, Edward Edward Long was born in 1734 in Cornwall, England. His family had been long associated with Jamaica - his great-grandfather, Samuel Long, had arrived on the island in 1655 as a lieutenant in the English army of conquest - and the Long family established itself as part of the island's governing planter elite. Edward Long went to Jamaica in 1757 after his father's death and returned to England because of ill-health in 1769.